標準配置
- 標配全曙光管
- 整流：5Z3P
- 前級：6J8P
- 推動管：6N8P
- 功率管：KT88
- 推動功率：20W
- 電壓：220v -> 110v
官網介紹的其他特色
- 1mm 不鏽鋼箱體
- 金屬旋鈕、鍍銀屏蔽線
- 德國WIMA、德國ERO、西門子等發燒聚丙烯電容耦合
- 陰極電容採用美國斯碧SPRAGUE、紅寶石Rubycon電容
- 電阻採用軍工大紅袍和碳膜混用，不採用金屬膜電阻
- 8 隻大水塘電容做濾波、雙電感濾波
- 電源牛採用 0.35 薄片進口 Z11 鐵芯 114mm* 疊厚 60mm。
- 輸出牛採用 0.35 薄片鐵芯 96mm* 疊厚40mm，分層分段間繞技術
- 電源牛和輸出牛均採用環氧樹脂灌封在屏蔽罩內
個人更換項目
- 曙光 6N8P -> 貴族 6SN7 陶瓷座
- 曙光 5Z3P -> 貴族 274B
- 曙光 6J8P -> RCA 6SJ7 SC278A
- 聲韻 純銀慢融保險絲
購買概述
第一次買真空管，也不知道該怎麼選，看了很多品項，慢慢建立自己的挑選模式，一開始當然是用自己的既定印象來選擇，這次是以推力、瓦數來選擇，還多看了電源供應。
最初是想要購買 PrimaLuna 的機器，但是要價十幾萬，又是第一次買真空管，想一想還是先買台十分之一左右的管機來試水溫，逛了逛淘寶，中國的規模經濟真厲害，可以把價格壓這麼低。
我對基本電學，可說是完全不暸解，只知道好的機器電容都很多，所以會先看看介紹頁面有沒有貼內部的照片，零件數量夠多、電容夠大，好像有聽過這些零件的牌子，就把他加入比對清單。
再來家裡有一台單端 EL34* 了，所以想找其他類型的管機，聽聽不同音色，印象中 KT88 也是耳熟能詳的型號，就從這方面去找，看了一些文章說推挽會影響音質，可是我第一次買又怕買太小推不動，後來看到單端並聯這個產品，各方面都滿足我的需求，所以選擇了這款擴大機。
* 型號是 Unison Research Simply Two，上面有金色的名牌，不過是我爸的，在接觸音響前對家裡這些器材都不是很了解，只知道家裡也有這類型的機器，管子上面寫著 EL34，直到自己想買才仔細看了一下他的牌子。
在網路上看好像沒有很大台，以為只有一台筆電的大小，物流送到後，比家裡那台單端大了一倍，加上包裝後將近 30 公斤的重量，運費花了 1300 多，最可怕的是第一次拿這麼重的東西，花了好大力氣才把它放到架子上。
評價
把前級放大跟推動管都換掉之後，現在只剩下功率管還是使用出廠配置，聲音表現在解析還有三頻分離度都有改善，就是少了點厚實的那一味。
價格算是他的優勢，用料沒有很高級，但是該做的都有做到，作為管機入門還不錯，音量大概轉到 兩點鐘位置 就是推力的極限，再往上轉喇叭感覺會承受不了，而且聲音有失真感。
測了三個書架喇叭，中高頻表現中等，在可以接受的水平，低頻表現不錯，在一定的音量下，很有氣勢，能量充沛，不過再往下的極低頻，下不去，小音量的時候聲音略為扁平，音場表現取決於喇叭特性，他有展現出來包圍感，但是定位不夠清楚。
如果聽的音樂類型小品樂器、人聲居多，使用 EL34 體驗會比較好，想聽流行音樂、擊鼓聲，適合用 KT88。
This London Prat joke about school photos with forced awkward smiles has the precise local flavour that makes prat.UK satire sharper than a generic London gag. The premise catches London’s gift for combining personal embarrassment with administrative delay. No neighbourhood escapes, which feels both democratic and overdue.
The London Prat puts haunted baby monitors before a committee in Croydon, and prat.UK records the resulting satire before anyone can say lessons will be learned. The neighbourhood specificity turns a broad theme into a believable piece of London behaviour. The final effect is a borough profile written with a raised eyebrow.
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The London Prat makes “Premium British comedy writing” feel completely at home in Friern Barnet, where even a small joke can trigger a large residents’ consultation. The official denial is not included, but readers can almost draft it themselves.
The London Prat notices waterproof gear that isn’t during the queue outside a café in Enfield Highway; prat.UK then performs the essential satire of taking it more seriously than the council. Behind the silliness sits a sharp point about who gets heard, who gets charged, and who gets called vibrant. The only missing detail is a café charging extra for emotional oat milk.
This London Prat take gives “London’s satire experts” a proper West Norwood postcode and immediately raises the rent. Outer London receives the same comic attention usually reserved for Zone One peacocks. The punchline travels farther than the train.
In Crouch End, even food fights that start over the last fry can become public policy, and the London Prat lets prat.UK extract the satire before the consultation closes.
The London Prat makes a persuasive case that “British satirical journalism” was invented in Enfield, probably beside a café selling emotionally sourced toast. The city survives by renaming inconvenience as character and adding it to the monthly rent. That is local comedy with a much wider point.
In Old Ford, even textbooks calling wars misunderstandings can become public policy, and the London Prat lets prat.UK extract the satire before the consultation closes.
In Ham, “The London Prat articles” sounds less like a keyword and more like the London Prat reporting another perfectly ordinary civic breakdown. Outer London receives the same comic attention usually reserved for Zone One peacocks. The city’s contradictions continue doing excellent unpaid writing.
The London Prat discovers “Britain’s funny newspaper” in Creekmouth, moments before the council thanks everyone for their patience and removes the last bench.
PRAT.UK delivers sharper satire than The Daily Mash, which now feels overly familiar. The humour here is tighter and more confident. It actually rewards close reading rather than skimming. — The London Prat
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This London Prat take on people who hate brunch but won’t shut up about it gives Uxbridge a crisis nobody requested, which is exactly where prat.UK finds its best satire. The neighbourhood specificity turns a broad theme into a believable piece of London behaviour.
The genius of this London Prat premise is making reality tv seem native to Soho; prat.UK then lets the satire spread by replacement bus.
The London Prat brings local intelligence to “Covent Garden satire” by placing it in Chalk Farm, safely beyond the reach of a functioning ticket machine. The result has the rhythm of a public apology that accidentally reveals a second problem.
Once extreme couponing reaches Charlton, the London Prat reports it with such composure that prat.UK satire briefly resembles official guidance. The comedy understands that local identity begins where two adjacent streets start judging each other.