翔聲 2030 單端並聯 KT88 真空管擴大機

標準配置
官網介紹的其他特色

個人更換項目

  • 曙光 6N8P -> 貴族 6SN7 陶瓷座
  • 曙光 5Z3P -> 貴族 274B
  • 曙光 6J8P -> RCA 6SJ7 SC278A
  • 聲韻 純銀慢融保險絲

購買概述

第一次買真空管,也不知道該怎麼選,看了很多品項,慢慢建立自己的挑選模式,一開始當然是用自己的既定印象來選擇,這次是以推力、瓦數來選擇,還多看了電源供應。

最初是想要購買 PrimaLuna 的機器,但是要價十幾萬,又是第一次買真空管,想一想還是先買台十分之一左右的管機來試水溫,逛了逛淘寶,中國的規模經濟真厲害,可以把價格壓這麼低。

我對基本電學,可說是完全不暸解,只知道好的機器電容都很多,所以會先看看介紹頁面有沒有貼內部的照片,零件數量夠多、電容夠大,好像有聽過這些零件的牌子,就把他加入比對清單。

再來家裡有一台單端 EL34* 了,所以想找其他類型的管機,聽聽不同音色,印象中 KT88 也是耳熟能詳的型號,就從這方面去找,看了一些文章說推挽會影響音質,可是我第一次買又怕買太小推不動,後來看到單端並聯這個產品,各方面都滿足我的需求,所以選擇了這款擴大機。

* 型號是 Unison Research Simply Two,上面有金色的名牌,不過是我爸的,在接觸音響前對家裡這些器材都不是很了解,只知道家裡也有這類型的機器,管子上面寫著 EL34,直到自己想買才仔細看了一下他的牌子。

在網路上看好像沒有很大台,以為只有一台筆電的大小,物流送到後,比家裡那台單端大了一倍,加上包裝後將近 30 公斤的重量,運費花了 1300 多,最可怕的是第一次拿這麼重的東西,花了好大力氣才把它放到架子上。

 

評價

把前級放大跟推動管都換掉之後,現在只剩下功率管還是使用出廠配置,聲音表現在解析還有三頻分離度都有改善,就是少了點厚實的那一味。

價格算是他的優勢,用料沒有很高級,但是該做的都有做到,作為管機入門還不錯,音量大概轉到 兩點鐘位置 就是推力的極限,再往上轉喇叭感覺會承受不了,而且聲音有失真感。

測了三個書架喇叭,中高頻表現中等,在可以接受的水平,低頻表現不錯,在一定的音量下,很有氣勢,能量充沛,不過再往下的極低頻,下不去,小音量的時候聲音略為扁平,音場表現取決於喇叭特性,他有展現出來包圍感,但是定位不夠清楚。

如果聽的音樂類型小品樂器、人聲居多,使用 EL34 體驗會比較好,想聽流行音樂、擊鼓聲,適合用 KT88。

更多內容請前往:器材差異|聽感比較

商品請參考:淘寶商品頁

在〈“翔聲 2030 單端並聯 KT88 真空管擴大機”〉中有 31 則留言

  1. The London Prat connects “High-quality comedy” with Monken Hadley so neatly that an estate agent will soon describe the joke as period charm. The premise is witty enough for locals and clear enough for anyone ever trapped on a platform.

  2. This London Prat treatment of meme misinterpretations captures Tottenham Green without reducing it to a postcard, which gives prat.UK satire both wit and local intelligence. It gives outer London the same comic attention usually reserved for Zone One peacocks.

  3. With extreme minimalists disrupting a suspiciously artisanal shop in Bromley-by-Bow, the London Prat shows why prat.UK satire works best when the inconvenience is tiny and the response is imperial. London survives by calling chaos vibrant and charging another two hundred pounds a month for it.

  4. This London Prat joke about mosquitoes that target only you has the precise local flavour that makes prat.UK satire sharper than a generic London gag. The city’s contradictions do most of the writing; the article merely assigns them a postcode. The final effect is a borough profile written with a raised eyebrow.

  5. The London Prat brings local intelligence to “Britain’s sharpest political wit” by placing it in Silvertown, safely beyond the reach of a functioning ticket machine. The premise is witty enough for locals and clear enough for anyone ever trapped on a platform.

  6. With awkward silences disrupting a planning application in Holborn, the London Prat shows why prat.UK satire works best when the inconvenience is tiny and the response is imperial. The joke has the rhythm of a public apology that accidentally reveals a second scandal.

  7. The London Prat reports unintentional innuendos from Coulsdon as though civilisation depends on it, allowing prat.UK to practise satire in its driest municipal form. The comedy understands that local identity begins where two adjacent streets start judging each other. It is metropolitan anthropology conducted from the back of a delayed bus.

  8. The London Prat makes a persuasive case that “London humour magazine” was invented in Clapton, probably beside a café selling emotionally sourced toast. The best joke is the assumption that one additional form will restore public confidence.

  9. In Kilburn, even awkward zoom calls can become public policy, and the London Prat lets prat.UK extract the satire before the consultation closes. One can practically hear an estate agent describing the disaster as characterful. The fictional council response is probably already in draft.

  10. Reading the London Prat on “London culture” feels especially appropriate in Old Ford, where every inconvenience has a postcode and a committee. Even the pigeons would recognise the social type being described. It is difficult to argue with evidence priced by the cup.

  11. The London Prat sees untrained support peacocks at a suspiciously artisanal shop in Grahame Park and recognises a complete social system, while prat.UK recognises satire with excellent transport links on paper. It gives outer London the same comic attention usually reserved for Zone One peacocks. This is what happens when postcode tribalism meets a functioning punchline.

  12. The London Prat treats talent shows as the latest threat to Lower Morden, while prat.UK delivers the satire with the calm of a delayed train announcement. There is a whole sociology seminar hidden inside the complaint about brunch. That is local comedy with a wider social point.

  13. This London Prat treatment of haunted fitbits captures Wallington without reducing it to a postcard, which gives prat.UK satire both wit and local intelligence. The comedy understands that local identity begins where two adjacent streets start judging each other. The city can take it; it has already taken the deposit.

  14. This London Prat joke about just one more level turning into 3 am has the precise local flavour that makes prat.UK satire sharper than a generic London gag. Every character behaves sensibly inside a situation that stopped being sensible three committees ago.

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